By Trevor Cribben Merrill To say that Eric Rohmer is the most literary of directors verges on a commonplace. But that doesn’t make the observation any less true. His romantic comedies tend to feature members of the French upper bourgeoisie having deep conversations...
Milan Kundera, Ambiguous Prophet Trevor C. Merrill “Those no longer able to see reality with their own eyes are equally unable to hear correctly,” writes Josef Pieper. “It is specifically the man thus impoverished who inevitably falls prey to the demagogical spells of...
Scarpia by Piers Paul Read. Bloomsbury, 2016. Hardcover, 364 pages, $27. Reviewed by Trevor C. Merrill You could enjoy this novel about a young Sicilian rising through the ranks of Roman society in the 1790s without knowing anything about Puccini’s Tosca. It’s a...
The Decline of the Novel by Joseph Bottum. St. Augustine’s Press, 2019. Hardcover, 153 pages, $25. Reviewed by Trevor C. Merrill In this wide-ranging essay, Joseph Bottum has managed to turn a stale topic—the death of the novel—into fresh cultural criticism, arguing...
Heroes of the Fourth Turning by Will Arbery, directed by Danya Taymore Playwrights Horizons (New York), September 13–November 17, 2019. Reviewed by Trevor C. Merrill Will Arbery has described his new play as a six-part fugue. Its subject—the kernel from which the rest...
New York friends, join @UBookman and guest speaker Dr. Dermot Quinn for a memorial lecture in honor of Gerald Russello, longtime editor of the University Boookman on November 15, at Fordham University's Lincoln Center campus: https://ow.ly/VaRh50PRlHF
"[P]roductivity is not the highest good. The highest good is love. That is the true measure of success." -- Elizabeth Bittner reviews Margarita Mooney Suarez's THE WOUNDS OF BEAUTY. @ClunyMedia